![]() ![]() “He helped build Glenstone’s reputation as a destination for monumental site-specific artwork. “Richard Serra’s work has been a cornerstone in the collection since the museum’s early days,” said Emily Wei Rales, director and co-founder. The work is housed inside an unadorned structure made of cast-in-place concrete that visitors will approach along a winding boardwalk. The surface of each form carries a rich, textured patina imprinted by the intense pressure of the forging process. Four Rounds: Equal Weight, Unequal Measure is his third monumental sculpture at Glenstone, joining Sylvester (2001), the torqued spiral anchoring the entrance to the Gallery building, and Contour 290 (2004), a ribbon of steel bisecting the meadow that sits exactly 290 feet above sea level.įirst exhibited at David Zwirner New York in 2017, Four Rounds: Equal Weight, Unequal Measure is one work composed of four cylindrical forms forged from steel, each weighing 82 tons-the heaviest form that a foundry is able to forge-but ranging in height and diameter. One of the most influential artists of his generation, Richard Serra has devoted his decades-long sculpture practice to considering the dynamic between form, space, and material. ![]() The building is the first new construction on Glenstone’s grounds since the opening of the Pavilions in 2018. Sited along the Woodland Trail in a densely wooded area across a restored stream, the 4,000-square-foot concrete structure was designed by Thomas Phifer of Thomas Phifer and Partners, in collaboration with the artist. Beginning June 23, Richard Serra ’s monumental sculpture Four Rounds: Equal Weight, Unequal Measure (2017) will join Glenstone Museum’s outdoor sculpture program in a new building open to the public. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |